
krafted by wing lau
We are very fortunate to have Wing as our stationery designer. His style is very much type focused and simple, which we like. Because of his love for type, he is very thoughtful about what typeface is used, why a particular typeface is chosen and how copy is laid out on a page to allow the best flow and so forth.
Let’s start with our brief, which consisted of three words: “classic”, “romance” and “tradition”, and my wedding dress. Ah yes, Wing is one of the privileged few to see my wedding dress months ago! What we got back from Wing was an essay-long concept for our wedding invitation, which when I read it months ago, was totally touched by Wing’s thoroughness and thoughtfulness. Thank you Wing.
1. “Didot” - the typeface. After doing some research, Wing proposed that we adopt the “Didot” typeface. Didot is a type designed around the 1780s in France and it continues to carry a lot of meaning in modern type design and print.
2. Texture. To Wing, the dress, as the focal point of the wedding, should be reflected on the invitation. To him, the dress is simple but at the same time subtly showing structure, texture, layering & depth and from that, he was inspired to create something that appeals to the sense of touch, either with printing or finishing techniques as well as paper stock choices. In essence, he wants to create a ‘preview’ as well as an enhancement of the wedding dress.
3. A personal touch. Wing knows that we want a cozy wedding with only an intimate group of family and friends so he proposes the invite to have an area for personalised message. He hopes that the recipients will feel that little bit special with special messages from us.
Seriously, isn’t Wing the sweetest and the most thoughtful? To boot, the invitation works so well with the Save the date we sent out in February! Wing’s a genius!
Sadly, due to some technical issues, what we’ve originally envisioned could not be realised in its exact form, and trust me, it was absolutely gorgeous! But I think what we ended up with still adheres to these three concepts ie type, texture and personalisation. And really, only the texture aspect had the most leaps and bounds, in that the original concept to go with a flock treatment to complement the paper had to be dropped due to technical issues and the alternative sewing was also out the window due to the small volume. Fortunately I think the solution Wing came up with also does the job nicely. Upon receiving the invite, can you figure out what that may be? Yes, it’s the deliberate tearing of the paper to show off the cotton paper texture (Alfred, it’s deliberate!) Hope you like it as much as we do.

Chinese invitation
Also for those who wants to know what perfume we used, it’s the beautiful Chloe.
We want to give them out in person as much as we can and we’ve been busy meeting up with people over breakfast, lunch, coffee and dinner so if you’ve not received it already, it will reach you very soon!
RSVP for Sydney by 4 September and Taipei by 15 October.
We hope to see you on our big day.
x